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\u30fb\u3068\u306f\uff1a\u91d1\u6ca2\u5de5\u696d\u5927\u5b66\u304c\u30e9\u30a4\u30d6\u30e9\u30ea\u30fc\u30fb\u30bb\u30f3\u30bf\u30fc\u306b\u8a2d\u7f6e\u3057\u3066\u3044\u308b\u30ec\u30b3\u30fc\u30c9\u30fb\u30e9\u30a4\u30d6\u30e9\u30ea\u30fc\u300c\u30dd\u30d4\u30e5\u30e9\u30fc\u30fb\u30df\u30e5\u30fc\u30b8\u30c3\u30af\u30fb\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u300d\u306e\u982d\u6587\u5b57\u3092\u3068\u3063\u305f\u7565\u79f0\u3002<\/p>\r\n
\u5168\u3066\u5bc4\u8d08\u3055\u308c\u305f\u30ec\u30b3\u30fc\u30c9\u3067\u69cb\u6210\u3055\u308c\u3001\u4e07\u679a\u3092\u6240\u8535\u3057\u3066\u3044\u308b\u3002<\/p>\r\n
\u30b8\u30a7\u30fc\u30e0\u30b9\u30fb\u30c6\u30a4\u30e9\u30fc<\/p>\r\n
\u30b8\u30a7\u30fc\u30e0\u30b9\u30fb\u30c6\u30a4\u30e9\u30fc\u306f\u6bce\u6708\u7b2c\u706b\u66dc\u65e517\u664230\u5206\uff5e<\/p>\r\n
\u300c\u8ab2\u5916\u6388\u696d\u306e\u9032\u3081\uff1a\u30ed\u30b9\u30c8\u30fb\u30a4\u30f3\u30fb\u30df\u30e5\u30fc\u30b8\u30c3\u30af\u300d\u306e\u30d1\u30fc\u30bd\u30ca\u30ea\u30c6\u30a3\u30fc\u3067\u3059\u3002<\/p>\r\n
The Specials \u2013 \u2018More Specials\u2019 (1980)<\/p>\r\n
The Specials were an important band. I wrote a bit about them in September 2020\u2019s blog on the compilation \u2018This Are 2-Tone\u2019. They rose to prominence at the end of the 1970s in Britain, a time when there was a great deal of civil unrest throughout the country. The Specials were active in the Rock Against Racism protest movement, taking on particular significance as a band with black and white members. Their concerts were often the scene of trouble, as far right groups would come looking to incite violence.<\/p>\r\n
Their sound mixed rock, pop, punk, ska and reggae to terrific effect. Their first album was produced by Elvis Costello and included several top 10 hit singles. The Specials\u2019 second album, \u2018More Specials\u2019 was more experimental, even more so than their first album, with a huge variety of influences and genres on display. Side two of the record, in particular, is very different from side one, which sounds more like the songs on their first album. That this variety of genres is cohesive rather than a mess is testament to their skill as songwriters and musicians. The songs on \u2018More Specials\u2019 reflect the society the band lived in and saw, with topics such as racism, disaffection, exploitation, nuclear war, and alienation.<\/p>\r\n
Despite their consistent musical output, relationships within the band became increasingly strained during the recording of \u2018More Specials\u2019 and the subsequent tour to support the album. The Specials broke up after releasing their masterpiece, \u2018Ghost Town\u2019, a haunting chronicle of civil unrest across Britain that reached number 1 in the UK singles chart.<\/p>\r\n
In the song \u201cDo Nothing\u201d, the Specials sing \u201cnothing ever change, oh no\u201d. I said at the start of the blog that the Specials WERE an important band, but bearing in mind current British society, I should rephrase that: the Specials ARE an important band.<\/p>\r\n
* The Popular Music Collection (PMC) is located in Kanazawa Institute of Technology\u2019s Library Center, and is the home of 270,000 donated and catalogued LPs, which are available for listening.<\/p>\r\n
James Taylor
\r\nJames Taylor presents \u2018Lost in Music\u2019 at 5.30 PM on the third Tuesday of every month.<\/p>","protected":false},"excerpt":{"rendered":"
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